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Thursday, 30 July 2009
The view quite soon to be from here
Monday, 27 July 2009
How to dress in your sixties
from the Times here
One of the accusations frequently laid at fashion’s sometimes gaudy door is that it’s frivolous. It’s like criticising cats for sleeping during the day, or curries for smelling of spices. Frivolity, inter many alia, is what fashion does. And what if it does? Frivolity gets a bad rap. What about being overly serious and boring everyone around you to death? An element of frivolity keeps a soul from atrophying.
I was reminded of this the other day when a friend, well into her sixties, turned up in an immaculate white shirt she’d bought in Dover Street Market, a pair of high-waisted Margaret Howell wide trousers and a tangle of neon-ended diamanté necklaces from Topshop.
Without the necklaces, the outfit was chic enough – too many sixtysomethings succumb to the elasticated waistband, the shapeless top and the given-up-all-hope underwear.
But the neon added an unexpected dash of verve. Make that nerve. Not dressing like a sixtysomething takes confidence and courage.
The forty and fiftysomethings have it easy. We’ve grown accustomed to seeing 45-year-olds in great shape and wearing Elle Macpherson-inspired wardrobes; we’ve accepted that Madonna, aged 50¾, is not giving up on summer’s short lease any time soon (satin horns and AstroTurf miniskirt, anyone?). But sixtysomethings? No one’s making clothes for them. No one wants their money. That’s the perception. No wonder many sixtysomethings loathe shopping and have nothing to wear........
If not, Topshop (yes, really), Zara (sizes are on the small side, though), M&S (tailored separates, swimwear), Karen Millen, Ted Baker, Banana Republic and Gap. And keep an eye on Alexon and Precis – they’ve modernised for autumn.
Sixtysomethings are still not visible enough in fashion shoots, but if stylists have any grasp of shifting demographics, that surely has to change. The only rules: more shape, less naked flesh – and a healthy injection of frivolity.
I agree very much with the main gist of this piece especially keeping it simple but wearing a great piece of jewellery
BUT, and there is always a but with me,
a) I am sick of having Madonna rammed down my throat as an example of positive aging. That lady is HIGH maintenance. I know for a fact she has a full body wax once a week, I think her body image is extreme and not a realistic one for anyone approaching 50 to hope or want to emulate. If you still think she is a role model you have SO got to check out this image of her
b)The list of places Ms Armstrong recommends to shop is dire, seriously Zara WAS cut on the small size, but is now far more generous with trousers up to a size 46. Top Shop is just a jumble sale and I know not one sixty year old that can tolerate the music or layout of that place for more than 5 minutes. M&S DULL, DULL, DULL, Banana Republic, oh, that is on every high street..not
What happened to Jigsaw? A very popular shop with all ages, as is it's sister Kew, which offers a huge range online.
This brings me to my final gripe (or two) This article comes from a national newspaper, why not emphasise the mail order companies such as The White Company or Toast? Both are excellent and hugely popular with this age group. I would also throw into the mix Pure, Great Plains and Saltwater. Oh go on then, COS too oh and Muji too, last years favourite of mine
More importantly I would have thought the best shop to recommend is the local boutique, the one that stocks more esoteric, quirky pieces. Why not build up a relationship with the buyer who can source from a huge range.
I have been in some amazing shops from Narberth in Wales to Dulwich in London. They are fantastic at what they do and in this climate deserve better from the fashion press.
Finally
Buy some fold-up flatties (jewelled, preferably) that can slip into a bag so that you have no excuse not to wear a pair of heels now and again.
OVER MY DEAD BODY
If I catch my mother so much as sniff at a pair of heels I will be knocking on Ms Armstrong's door to help me nurse her through her broken hip.
Jesus, my mother is half blind, I do NOT need her toppling over like a house of cards as well.
Saatchi Gallery ABSTRACT AMERICA:NEW PAINTING AND SCULPTURE
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There is always something to like, and plenty not to like, but that is the nature of curating. Best of all you can snap away with impunity. I get a lot more from looking through a lens. It may seem an irreverent way to view someones work but I promise you fragmenting a piece can give you a whole new perspective, especially Kristin Bakers work. Close up you can really appreciate the layering and richness of colours that gets lost from a distance.
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Saturday, 25 July 2009
The ramblings of a teacher who may have chilled out just a little too much
Sunday, 19 July 2009
That was the week that was
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Rant of the day
Last week Syma Tariq wrote about the new all-female art exhibition at the Pompidou centre in Paris. We asked you whether female artists have been ignored by the art world and to name your favourite female artist. Here are some of your responses:
As a teacher and writer of art education materials I have struggled for 20 years to show our learners any reproductions of art made by women. I don't stop trying, but so often the books and postcard collections available in schools, and even, surprisingly, Internet image banks, concentrate on what I jokingly refer to as the Ks: O'Keeffe, Cassatt and Kahlo. There is a lot more to see through different times and across cultures.
Alex Mackenzie
After 30 years teaching in schools and art colleges I have yet to find an exceptional female painter; I do not understand why. There have been good, skilful women painters in the past – Rosa Bonheur, Angelica Kauffmann, Mary Cassatt and more. However in sculpture there is Barbara Hepworth (less bombastic but surely subtler than Henry Moore?), Elisabeth Frink (erratic but occasionally brilliant and surely a "great" artist), and Germaine Richier (my own personal hero). Sorry ladies – stick to wood and clay.
Godfrey Jones
Female artists have been ignored by the art world for centuries: five and six hundred years ago male artists routinely signed their names to work by the wives, sisters or daughters who worked with them (some of Van Eyck's masterpieces are probably by his sister). Later, unscrupulous dealers forged men's signatures on female artists' work because they would fetch higher prices (Judith Leyster passed off as Frans Hals, for example). We owe a huge debt to the feminist art historians who have been quietly restoring the attribution of these works to their real creators. My favourite female artist? Artemisia Gentileschi – a genius.
Ishvara d'Angelo, Devon
I wrote the following response/ riposte
What saddens me the most, is that the most narrow minded and in my opinion outrageously sexist comments were written not by men but by teachers. It breaks my heart that this profession is still so utterly entrenched with attitudes that would not be out of place in an episode of Mad Men.
Maybe if episodes from that series were shown to today’s students, they would understand why even after 30 years Godfrey Jones has made so little progress from when he first started teaching. He appears to be clinging to the coat tails of yesteryear.
This ignorance will no doubt now permeate our current generation of students, because I am sure the opinions of both Godfrey Jones and Alex Mackenzie shine through their teaching practice. This attitude that even today, female artists are second best is so outmoded and dangerously perpetuates the notion of women as second class citizens, in not just the art world but in all walks of life is just plain wrong.
The reasons for the lack of representation in galleries by female artists is excellently described in Ishvara d'Angelo’s letter which just touches on the obstacles women had to overcome to become recognised.
Women nurture, it is innate in all we do, so of course behind an acknowledged male genius will often be the love, stability and talent of a woman.
Godfrey Jones and Alex Mackenzie also fail to take into account the rich and varied art produced by women from other cultures. The female painters of Madhubani, to aboriginal artists such as Roslyn Karedada.
Further thought led me to think that if Sorry ladies – stick to wood and clay. is to be taken literally, it implies that form and function are the domain of women (and I can imagine such fripperies as decorative art would be included in that jibe) then men are master only of illusion. Hardly something to crow about.
Rant over
Thursday, 16 July 2009
Flower power and other scrap book love
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Tuesday, 14 July 2009
Dear Mother
Dear Mother
I think it would be a good idea for future reference to avoid any discussion what so ever anywhere of the calorific value of anything within a 3 mile radius of your youngest daughter.
She is fat deal with it, she makes occasional efforts to lose weight, but quite clearly it is not coming off at quite the astonishing speed she put it on.
I realise that none of what you say is in any way remotely or directly related to what she is holding in her hand as a prospective purchase or thinking of choosing from the menu. But again I implore you just think it, do not say it. Politics would be a less volatile subject.
And what ever you do, it is pointless trying to couch it as a joke. You do not do humour, I agree you have the capacity to laugh, but the day you say something even remotely amusing I will put the bunting out. It is, I am sad to say mother, your misfortune to have the inability to say anything that does not sound like cruel and barbarous criticism. This is probably based on the fact that we grew up with that cruel and barbarous tongue of your and so that is what we are programmed to expect.
Ha, I hear you say, if that was the case, why is your youngest daughter so ridiculously sensitive to what you say? Well it is because she is an over sensitive stroppy cow who has not had her patience gene honed like myself by 3 demanding children and a Neanderthal moron who passes himself off as my partner.
Years of solitary confinement have inevitably led to her sadly taking most of what we say at face value. She’s YOUR daughter, learn to zip it up and behave.
Yours (the one with endless patience and slightly less overweight than the others)
Your eldest
Friday, 10 July 2009
Hampstead
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- Designed by Modernist architect Ernö Goldfinger for himself and his family
- Complete with original contents including furniture designed by Goldfinger
Wednesday, 8 July 2009
Mad Men
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Tuesday, 7 July 2009
Monday, 6 July 2009
From the sublime to the ridiculous
On Friday I went to a beautifully staged production of All's Well That Ends Well at The National. The design lent heavily on the illustration we see for the brothers Grimm fairy tales, very magical. Sadly my theatre partner had high tailed it to Wales on an activity week so my sister came instead, she normally won’t stick her generous arse on a seat costing less than £40 but she was pleasantly surprised at how good the view was for £10, and she bought me supper. Mmm maybe this trade could be permanent!
The following day I was coerced into going to Thorpe Park. Dear God I am way too old for this kind of day out now. I used to take coach loads of students to any number of theme parks and whoop it up on the rides, but now my idea of fun is a gentle stroll round an art gallery.
Emin decided we MUST go as a day out for the au pair before she goes back to Turkey. She absolutely was not keen on the idea, but just as a man will buy his child a remote control car then play with it himself, so this day was really about Emin. The side benefit was Leyla had a wonderful day.
I however got bloody whiplash on the first ride. I will never understand what the pleasure is in queuing for 2 bloody hours, to then be thrown around like a rag doll for 20seconds with my eyes shut. I am all for big swings and sudden drops but this ride was horrible.
I luckily managed to look after Leyla for the next 3 hours whilst he tortured the au pair. I then got to go on lots of more sedate affairs before hooking up for lunch. Sadly I over did it, and fell quite queasy by 5pm!
I did remind him when we got home, as I crawled into bed, that I am pushing 50, and really that will be the last time I do it.
I am now sat nursing a sore neck
Masao Yamamoto
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Sunday, 5 July 2009
Northern Cyprus 2002
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Wednesday, 1 July 2009
The view from here
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